Nov 23 2008

I remember when I was 13 years old, I went into my parent’s spirit cupboard to “borrow” some of their alcohol for my upcoming school disco. I was going to make my friends and I a “Haxa”, which in a direct translation means, “Witch”. It’s an outstanding concoction of everything in the cupboard carefully blended in a, well, plastic bottle, shaken without ice. You then refill each of the bottles you have thieved from with water to cover your tracks. I thought it was a genius idea until I poured water into a bottle that said Ricard on the front, and the content turned milky white. Shit.

My so-called Cocktail tasted like the liquid you would find in a pub’s slops bucket and I was grounded for a week. That day I decided where I would take my life, and killed my father’s dream of a straight A student who would go on and follow in his footsteps.

The road, as we all know, has to start somewhere, and mine started with bar backing. 60-hour weeks filled with bin changing, floor scrubbing, glass polishing, fridge stocking, heavy lifting and too much alcohol drinking. It took almost a year until I finally was allowed to make drinks, but not in front of customers; no, trapped up in a basement with no one to talk to and a machine that just wouldn’t stop spitting out dockets. Ladies and Gentleman; I present to you the Dispense Bartender. Your job description would be to smash out as many fine-tasting drinks to the diners as humanly possible. I learnt speed and specs (bar terminology for drinks recipes), but being stuck in a basement where no one can see you made me a messy bartender with no chat. I like to think I’ve moved on.

In the quiet hours I would read shit Swedish cocktail books. Of course I didn’t know that they were useless until later on in my career. God, I wish someone had told me who Jerry Thomas or Gary Regan were in 2001, it would have saved me some time and cut down numerous embarrassing moments over the years.

The next section in my bar life I would like to call “Let there be light”: where I was pulled out of the basement and put to work on a bar.
I realised in 2004 that the Swedish (or at least my punters at Buddha Bar) idea of a classical cocktail was a P2 (vanilla vodka, apple sours and lemonade, garnished with a lime wedge.) I thought there must be more to Bartending than that. I moved to London- the land of Bartending dreams.
I was in for a rude awakening. I knew nothing in comparison to these cocktilians. After The Sanderson, Hilton and Harvey Nichols, better cocktail books, longer hours, harder work, wine studies, much more interesting chat, trainings, some competitions, more alcohol drinking, no daylight and better mentors to lead me on the way, I started working at the Lonsdale. It felt like I was taken to another level, these bartenders, and especially Charles Vexenant- mixology legend- were walking and talking drinks information banks. Time to step up again. But this time it felt like we all had something to give – knowledge, passion, bad jokes in terrible taste. And now I’m learning to share my knowledge, my passion. And the only joke I ever remember.

When you are infatuated with someone, it takes over your whole life. I’m writing this at the bar in the Lonsdale. What else can I say?


Nov 23 2008

Notting Hill Art Galleries

Notting Hill harbors many creative talents and has a host of galleries that you can visit, of which a few follow.

Apart
Contemporary Art Gallery.
Westbourne Grove on the junction with Chepstow Road, London W11.

Bayswater Road Art Exhibition
Bayswater Road, W2
The world’s largest regular open-air exhibition, positioned alongside Hyde Park. Over 100 artists exhibit their original works. Open all year round.
Every Sun 9.30-6
Tube: Central Line, Lancaster Gate or Queensway

Broadbent
25 Chepstow Corner, Chepstow Place, London W2 4XE
A Group Showing of Gallery Artists.
Tuesday to Saturday 11am-6pm or by appointment
T: 020 7229 8811

Easy West Gallery
8 Blenheim Crescent (off Portobello Road), Notting Hill, London W11 1NN
William Brown 1953-2008 – Celebration Exhibition. Novemeber 11th to the 29th
A great selection of original works to make you smile.
Wednesday to Saturday 11am-6pm, or other times by appointment
Tel: 020 7229 7981

England & Co
216 Westbourne Grove, Notting Hill, London W11 2RH
Brian Griffin – Wonderfully atmospheric images by a hugely influential British Photographer. November 15th to December 8th.
Monday-Saturday 11am to 6pm
Tel: 020 7221 0417

Hanina Gallery
180 Westbourne Grove, Notting Hill, London W11 2RH
Specialist in the post-war School of Paris. Showing Claude Venard, Gustave Singier, Jacques Germain, John Levee, Olivier Debré, Youla Chapoval, André Lanskoy, Jean Le Moal, Edgard Pillet and others.
The gallery’s collection also include Post-Impressionist and Early Modern paintings and sculptures.
Monday to Saturday 10am to 6pm
Tel: 020 7243 8877

Manya Igel Fine Arts
21-22 Peters Court, Porchester Road, Notting Hill, London W2 5DR
A Collection of 20th and 21st Century British Art by Royal Academicians, the New English Art Club and other well known artists (Appointment only)
Telephone: 020 7229 1669

Piano Nobile Fine Paintings
129 Portland Road, Holland Park, Notting Hill, London W11 4LW
20th Century British & Continental Modern Paintings and Sculpture.
Tel: 020 7229 1099

Stern Pissaro Gallery
46 Ledbury Road, Notting Hill, London W11 2AB
Gallery specialises in Camille Pissarro and the three generations of his descendants with a permanent (but rotated) display of works by eleven members of the Pissarro family.
Monday to Saturday 10am to 6pm
Tel: 020 7229 6187